Saturday, April 22, 2017
On the remote Norwegian Bear Island, used as a submarine base by the Germans during WW2, an U.N. scientist sends a distress signal using an emergency NATO frequency and is received by scientific vessel Morning Rose.
Good example how a production with top credentials results into a mediocre product.
Halliwell (no star): "Highly implausible adventure yarn, indifferently presented."
Maltin*1/2: "One of Alistair MacLean's best novels became one of his worst movies...Strong cast, capable director and scenic locations come to naught."
Friday, April 21, 2017
A down on her luck widow, desperate to provide care for her daughter, moves in with her father in-law from whom she is estranged, because he gives her the fault for his son's death.
A deliberately simple tale is well produced and the cast in great form, but the movie is slow-paced and not too exciting.
On renewed viewing: I still agree with my first assessment, but it is a likable movie.
Maltin***: "Warmhearted, embracing story about family ties and the need for forgiveness. It's a treat to watch Redford and Freeman as two old codgers with an unshakable bond of friendship."
Thursday, April 20, 2017
Wednesday, April 19, 2017
A frustrated circus magician from Kansas is transported to a magical land called Oz, where he will have to fulfill a prophecy to become the king, and release the land from the Wicked Witches using his great (but fake) powers.
Likable and entertaining fantasy offers some nice moments, but doesn't have the magic one would expect considering all the credentials, and it's a bit too long.
Maltin**1/2: "Elaborate, eye-filling production...can't be compared to the 1939 THE WIZARD OF OZ, aside from some winks in its direction. Fairly entertaining on its own terms but overlong and, frankly unmemorable. Braff provides consistent laughs as a talking monkey."
Tuesday, April 18, 2017
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
Creepy horror thriller in classic Argento style: dark atmosphere, bizarre murders and an irritating soundtrack; the original uncut Italian version is - in parts - bit too talkative.
Halliwell**: "Slick, stylish, decadent, suspenseful thriller, with a disquieting atmosphere that continually puts its audience, like its victims, off-balance. Hemmings's character owes much to his role in Antonioni's Blow Up."