2020年1月11日星期六
2020年1月10日星期五
First Lines: Gordon Dahlquist - The Glass Books of the Dream Eaters
From her arrival at the docks to the appearance of Roger's letter, written on crisp Ministry paper and signed with his full name, on her maid's silver tray at breakfast, three months had passed.
Sniper 2 (2002)
A former Marine sniper is lured back in on a top-secret mission to take out a rogue general who is committing atrocities on the Muslim population.
Above-average actioner is professionally staged with a suspense and a fairly well-considered script.
Invasion of the Body Snatchers (1978)
When seeds drift to earth from space, mysterious pods begin to grow and invade a small town, replicating the residents one body at a time.
Strangely, I keep reading that this quite efficient horror thriller is a remake of the old classic, but it actually is a straight continuation which even includes the ending of that movie re-staged with the same actor.
On rewatching: excellent sci-fi horror, one of the best of the 1970s.
Halliwell: "Flashy updating of the 1956 classic, mistakenly set in a big city and confusingly unravelled, with nobody for the audience to empathize with. Its nicest effect is to have Kevin McCarthy appear in a cameo."
Maltin***: "Chilling remake of 1956 classic with many new twists and turns; unfortunately, it runs out of steam and offers one climax too many."
2020年1月9日星期四
2020年1月8日星期三
2020年1月7日星期二
First Lines: Charles Stross - Glasshouse
A dark-skinned human with four arms walks towards me across the floor of the club, clad only in a belt strung with human skulls.
2020年1月6日星期一
Mr. Brooks (2007)
A well-respected businessman is sometimes controlled by his murder and mayhem-loving alter ego.
Satirical in intent, this serial killer tale packs far too many subplots into the mix making it implausible in any direction you choose to understand it: at least, William Hurt is obviously enjoying his part as the cynical alter ego.
Maltin**1/2: "Interesting ingredients, but a lumpy stew; sometimes laughably absurd."
Manbiki kazoku (2018)
A family of small-time crooks take in a child they find outside in the cold.
Subtle, humanist and touching drama of a patchwork outside family is portrayed as more loving and sincere than 'normal' families and plays out like a warmhearted inversion of Nagisa Ôshima's Shônen.
2020年1月5日星期日
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