Saturday, November 30, 2019

New Stuff: Patti Smith


Who's That Girl?


Art: Sigmar Polke

Dree Hemingway


A day in the life, Oct 21


A day in the life, Oct 21, autumn leaves

Anja Rubik


ph: Paola Kudacki

New York


Church and Warren Streets during subway construction (1927)

Sasha Luss

First Lines: John Scalzi - Old Man’s War


I did two things on my seventy-fifth birthday.

Thursday, November 28, 2019

Leila Goldkuhl


ph: Regan Cameron

The Second Woman (1950)


An architect Jeff Cohalanis haunted by the death of his fiancée the previous year, and he sequesters himself in the fabulous house he designed for his beloved and broods over the incredible string of bad luck he has experienced since her death.

Above-average psychological thriller with a noir touch with an improbable plot works due to atmosphere and solid performances.

Halliwell (no star): "Tolerable semi-star melodrama with a deliberate film noir look."

Maltin**1/2: "Atmospheric psychological drama..."


Daga Ziober



ph: Boe Marion

New Stuff: PJ Harvey



Wednesday, November 27, 2019

Zuzanna Bijoch


Peaky Blinders, Season 5 (2019)


The crime family saga finds the world thrown into turmoil by the financial crash of 1929.

The saga goes on with the expected excellence in production and performances, but this season has quite an intermittent plot ending with a cliffhanger more suspenseful than the actual build-up to its finale.


Anna Selezneva


ph: Camilla Akrans

New Stuff: The New Yorker


(art: Wayne Thiebaud)

Sunday, November 24, 2019

Taylor Greene


A day in the life, Oct 18


A day in the life, Oct 18, contrails

Marie-Louise Wedel


ph: Pamela Hanson

New Stuff: Mopcut



Kemp Muhl


Suspect Zero (2004)


A mysterious serial killer is hunting other serial killers, and one F.B.I. Agent suspects there may be more to the vigilante than they imagine.

It's obvious that director E. Elias Merhige has ambition, talent and visual imagination, all recognizable in this movie in patches, but not not coherently; and the two stars' abilities are regrettably not put to full use.

Maltin**: "Complex premise, reminiscent at times of RED DRAGON, with striking visual style, is hindered by the oppressive nature of the material and the fact that there's no one to care about."