Friday, July 17, 2020
Anastasia (1956)
An opportunistic Russian businessman tries to pass a mysterious impostor as the Grand Duchess Anastasia. But she is so convincing in her performance that even the biggest skeptics believe her.
Well-produced Hollywood entertainment, typically without any sense for historical accuracy, works due to its excellent cast, but does have some over-the-top melodramatic moments.
Halliwell**: "Slick, highly theatrical entertainment for the upper classes; it dazzles and satisfies without drawing any light on history."
Maltin****: "Inspired casting makes this film exceptional...High point: confrontation scene in which Hayes as grand duchess must determine if girl is her relative."
Thursday, July 16, 2020
Wednesday, July 15, 2020
Journey Into Fear (1943)
An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.
Entertaining spy drama with a suspenseful plot full of twists shows some of Orson Welles style, but is obviously not fully his intended product.
Halliwell***: "Highly enjoyable impressionist melodrama supervised by Orson Welles and full of his touches and excesses."
Maltin***: "Often baffling WW2 spy drama...still exciting."
A Private War (2018)
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the front-line of conflicts across the globe to give voice to the voiceless.
Well-observed biographical drama reveals the perils of front-line journalism, but also a single journalist's passion for her job, remarkably portrayed by Rosamund Pike.
Tuesday, July 14, 2020
Monday, July 13, 2020
Sunday, July 12, 2020
Planet of the Humans (2019)
Planet of the Humans takes a harsh look at how the environmental movement has lost the battle through well-meaning but disastrous choices, including the belief that solar panels and windmills would save us, and by giving in to the corporate interests of Wall Street.
Heavily biased and lopsided documentary targets clean ecology technologies and activists by utilizing outdated and incorrect data and even makes an argument for "population control"; although maybe well-meant, this film could very well serve as an ad for the fossil fuel industry.
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