Friday, December 31, 2021

First Lines: Philip Pullman - Northern Lights

 

Three miles up the river Thames from the centre of Oxford, some distance from where the great colleges of Jordan, Gabriel, Balliol, and two dozen others contended for mastery in the boat races, out where the city was only a collection of towers and spires in the distance over the misty levels of Port Meadow, there stood the priory of Godstow, where the gentle nuns went about their holy business; and on the opposite bank from the priory there was an inn called the Trout.

Stella Tennant

 

ph: Sarah Moon

Munich

 

Munich Zoo, September 2021

Devon Aoki

 

ph: Craig McDean

A day in the life, Sep 8, 2020

 

A day in the life, Sep 8, 2020, Regensburg by night

Adut Akech

 


ph: Ethan James Green

Thursday, December 30, 2021

Monday, December 27, 2021

Abismos de pasión (1954)

 

A partial retelling of Wuthering Heights in 19th century Mexico.

Wonderfully photographed and directed, this adaptation of the classic novel goes straight to the overheated passions and never lets loose; generally, a mainstream production with occasional Buñuel touches sprinkled in.

Maltin**1/2: "Strikingly directed but talky, overbaked, ultimately unsuccessful version..." 


 

Sunday, December 26, 2021

Jane Fonda

 

ph: Claude Azoulay

Today's Cat


 

Chiara Scelsi


 

A day in the life, Sep 7, 2020

 

A day in the life, Sep 7, 2020, our Monday night pub

Vanessa Moody


 

New Stuff: Sun Ra



Jessica Miller

 

ph: Bert Stern

Phenomena (1985)

 

A young girl, with an amazing ability to communicate with insects, is transferred to an exclusive Swiss boarding school, where her unusual capability might help solve a string of murders.

A Dario Argento joint: wildly stylish, incoherent plot with a dreamlike atmosphere and lots of imaginative shock moments, and once again another incongruous soundtrack.

Halliwell (no star): "Daft and gruesome horror that lacks style and sense; it has a plethora of murderers, it is never fully explained who did what to whom, its intentions is to disgust rather than shock, and its heavy-metal soundtrack is a frequent distraction."

Maltin***: "Typically stylish, bizarre Argento horror opus whose premise...serves as a framework for some cleverly weird goings-on...Don't say you weren't warned!"