Showing posts with label Meredith Monk. Show all posts
Showing posts with label Meredith Monk. Show all posts

Tuesday, September 2, 2025

The Movies I Watched in August

Boat 2003  7/10

 

After Hours 1985  8/10

 

The Assessment 2024  7/10

 

Bruiser 2000  6/10 

Bug Crawls 2004  6/10 

Cannibal ferox 1981  4/10 

Cheers. Season 1 1982  8/10

 

Chugyeokja 2008  6/10 

The Dentist 1932  6/10 

The End of the Tour 2015  7/10

 

Fantasmi a Roma 1961 5/10 

Frasier. Season 2 2024  6/10 

Ghislaine Maxwell: Filthy Rich 2022  6/10 

GoodFellas 1990  10/10

 

Les innocents aux mains sales 1975  7/10

 

Intervalometer Experiments 2004  6/10 

Into the Fire: The Lost Daughter 2024  6/10 

Lamp 2003  5/10 

Lisa Frankenstein 2024  5/10 

Lonely Are the Brave 1962  7/10

 

Mado 1976  6/10 

The Misfits: Scream! 2000  6/10 

Monk in Pieces 2025  7/10

 

The Outrun 2024  7/10

 

Un prophète 2009  7/10

 

Stolen: Heist of the Century 2025  6/10 

The Thirteenth Floor 1999  6/10

The Time Travelers 1964  7/10


 

Tuesday, October 19, 2021

Four American Composers (1983)

 

4-part documentary follows four different contemporary composers performing/creating/building their shows: Robert Ashley, John Cage, Philip Glass, Meredith Monk.

Excellent and thorough portraits of four major 20th century composers gives the artists room to present their work and their concepts, but even more gives us long and insightful excerpts from the often fascinating compositions and performances.


 

Saturday, May 1, 2021

The Movies I Watched in April

Alien (1979)  8

 

Alien: Covenant  (2017)  7

 

Alien³ (1992)  6Alien: Resurrection (1997)  7


Aliens (1986)  7


 Amarcord (1973)  7


 Arrival (2016)  8


Blade Runner 2049 (2017)  8 

Detour (2013)  6

A Dog Called Money (2019)  7


Fear No More (1961)  6

Four American Composers (1983)  7

 

4D Man (1959)  6 

Frank Zappa 1969-1973: Freak Jazz, Movie Madness and Another Mothers (2014)  7


French Water (2021)  6 

The Godfather (1972)  10


The Godfather, Part II (1974)  10


The Godfather, Part III (1990)  7


The Girl on a Motorcycle (1968)  5 

Hellraiser (1987)  7


Kronos (1957)  5

Majo no takkyûbin (1989)  7


Moonrise (1948)  7

 

Next of Kin (1982)  7 

One Night in Miami... (2020)  7 

One-Eyed Jacks (1961)  7


Polytechnique (2009)  7

 

Prometheus (2012)  7


Radioactive (2019)  5

The Serpent (2021)  6

Siu ngo gong woo: Dung Fong Bat Bai (1992)  6

Songs My Brothers Taught Me (2015)  6

Stranger Things, Season 1 (2016)  7


Time (2020)  7 

Valley of the Dolls (1967)  5 

Why Did You Kill Me? (2021)  7

Wild (2014)  6

The World, the Flesh and the Devil (1959)  7 

Zappa (2020)  7



Wednesday, August 31, 2011

New Stuff: Meredith Monk


I'm a big longtime admirer of Meredith Monk's art and happy that she is still working on new projects.

Monday, July 13, 2009

Vignettes #30


Our very first performance as Lyssa humana was a multi-media show we titled Dada For Now. The program was basically the screening of several Dada and Surrealist film classics interrupted by musical performances by our group.

One of these performances was just Walter and me, no instruments, just making vocal sounds and using microphones to amplify. I was inspired by Meredith Monk, when I came up with the idea, but the result sounded more like what Mike Patton does (more professionally, of course) nowadays. So it was making weird vocal soundscapes starting slowly and a bit like a duet and then getting ever more exciting and wild and even ecstatic. It was to culminate into a wild disturbing orgasm of sound till Walter pulled out a gun, aimed into the audience and shot a blank straight at them.

This worked out very well at our first performance in Regensburg. But several months later we had a performance booked in Stuttgart, and things turned out differently. While rehearsing Walter said he'd rather use a distortion module for his microphone, but I insisted that we only use our mouths as instruments, that was a bit of my concept - no fake enhancements besides the electric amplification.

Our performance in Stuttgart was completely sold out, we had a full house, and when it was our turn, we got up on stage and slowly started with our action. That is - I did, Walter was behind me, but no sounds from him. I looked back and saw that he was fiddling with his distorter that obviously didn't want to work. I signaled him to get going, but he didn't produce a single sound.

So I had to do the whole thing all by myself which was completely out of the original concept. I worked myself into the crescendo and awaited the cathartic shot from Walter's gun, but nothing came. I looked behind me - he was not on the stage anymore!

There I stood, hundreds of people staring at me, I'm making wild sounds with my mouth, and then I saw Walter - sitting in the front row of the audience!!! In disbelief I signaled him again to shoot that darn gun. But he sat there - and slowly shook his head...

I somehow managed to bring the whole thing to an unspectacular end, I got a few amused chuckles from the audience, and then I was off the stage, and the next movie was started.

For years I had recurring dreams of being embarrassingly exposed to an unassuming audience. And I never trusted Walter again.

(the photo is from a different performance)

Sunday, March 29, 2009

A Song a Day

Meredith Monk - Gotham Lullaby



Meredith Monk is one of the great American composers I admire so much. With her voice and minimal instrumentation she has invented a music all of her own creating soundscapes that delve deep into the human soul. If you're interested I recommend her album Dolmen Music.

And here's Björk's version with the Brodsky Quartet:

Meredith Monk