Saturday, August 6, 2022

Olga Sherer

 

ph: Michael Schwartz

New Stuff: Ultravox


 

Waleska Gorczevski

 

ph: Will Davidson

Uwasa no onna (1954)

 

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

Lesser known Kenji Mizuguchi melodrama nonetheless reveals his mastery for realistic, highly dramatic and heart-felt stories of female fates; superb cast, beautiful cinematography and excellent settings all around.

Maltin**1/2: "Minor Mizuguchi." 


 

Friday, August 5, 2022

Nyadhuor Deng

 

ph: Sarah Krick

New Stuff: Indien


 

Liya Kebede

 

ph: Pamela Hanson

The Movies I Watched in July

Anne of Green Gables 1985  7/10

 

The Batman 2022  6/10

Bob Dylan's Amerika 2018  6/10

The Brain From Planet Arous 1957  5/10

The Brood 1979  6/10

The Burning Hell 1974  4/10

Crash 1996  6/10

Dead Ringers 1988 10/10


Dragonwyck 1946  6/10

Eastern Promises 2007  7/10


The Falling 2014  6/10

Frasier, The Complete Series 1993-2004  8/10

 

Godzilla: King of the Monsters 2019  6/10​

The Guilty 1947  6/10

The Hills Have Eyes Part II 1984  4/10

A History of Violence 2005  8/10


Idi i smotri 1985  10/10

The Immoral Three 1975  4/10

The Last Don 1997  5/10

The Last House on the Left 1972  6/10

Men 2022 6/10

Peaky Blinders, Season 6 2022  7/10

Rabid 1977  6/10

The Rat Pack 1998  6/10

Rocker 1972  7/10

 

Shake Hands With Murder 1944 5/10

Scanners 1981  7/10


Shane 1953  7/10

The Souvenir 2019  7/10


The Souvenir 2021 Part II  7/10

Spider 2002  8/10


Stranger Things, Season 4 2022  7/10

The Town 2010  6/10

Unagi 1997  7/10


Videodrome 1983  8/10

The Wilds, Season 1 & 2, 2020-2022  6/10

Sasha Pivovarova



New Stuff: The New Yorker

 

Art: Christoph Niemann

Monday, August 1, 2022

Grace Hartzel

 

ph: Gregory Harris

Barbara (2012)

 

A doctor working in 1980s East Germany finds herself banished to a small country hospital.

Finely directed character study draws a well-observed, realistic depiction of Eat German society and life in the 1980s, a somber melodrama with a touching ending; Nina Hoss is fully convincing in the title role as a woman trapped in the restrictions, but also silently fighting against them.

Maltin***: "Quietly absorbing story...Not every questioned is answered in Petzold's intriguing character study, which also evokes the oppressive atmosphere of life under the watchful eye of the secret police at that time."