David Bowie and a star-studded cast of special guests gather at New York
City’s fabled Madison Square Garden to celebrate Bowie’s 50th birthday.
Guests include: the Pixies’ Frank Black, the entire Foo Fighters
joining Bowie’s band for "Hallo Spaceboy," the Cure’s Robert Smith,
Sonic Youth, and the Smashing Pumpkins’ Billy Corgan
Another one of the many bands that have been accompaying my life since their beginnings is Sonic Youth. My theory about rock music is that all the truly great bands have taken the music and sounds they love and re-invented them anew with the means they had available to them. It's therefore not necessary to be a studied musician at all (too much knowledge might even ruin it), but simply to go ahead and do it. Sonic Youth famously use a myriad of second-hand guitars, each one tuned differently to fit the sound of each separate song. This way their songs sound so different compared to mainstream music, since they're intregrating atonal tunes and noise with beautiful, sometimes even lullaby-like melodies. In my opinion the album 'Sister' is their masterpiece, where these techniques have finally been mastered to create a classic album of innovative rock music. I know everybody declares it's their next album afterwards, 'Daydream Nation', which I can agree with to the degree that that album was more of a perfecting and summing up of what they had already achieved. I could pick out any song from 'Sister', since I love them all, but 'Schizophrenia' is the first track on the album, and the first time I put the needle on that record, it was like a revelation: great new innovative guitar-based rock music! Like all their best songs it's more than just a mere song, but rather a miniature opera/symphony. You can listen to the title over and over again finding new aspects of how it is built, how it's being played asking yourself where they got this or that particular tone from, and their timing is so impeccable. Sonic Youth can start a song and then turn it into a 20 minute cacophony of the weirdest noise, but if you were counting, they'd return to the song on the pin point. The clip is a newer recording of the song and less noisier than the original, but you can clearly watch (and hear) how the song works. To this day Sonic Youth have stayed true to their beginnings and have been making their own music uncompromisingly and are still striving to break down barriers - and this all very successfully.
Although I do have the complete back catalogue of Sonic Youth's main albums, I'm still a bit behind with the SYR series. This edition is interesting since it contains several John Cage compositions.
I came upon this band while listening to the Sonic Youth radio ta last.fm. I was intrigued by the song I heard and looked them up at Allmusic.com: "Blonde Redhead's noisy, dissonant guitars, alternate tunings, and quiet, stilted lyrics have often been compared to early Sonic Youth."
I've seen the Swans in concert twice in the mid 80s, and they were one of the most incredible musical experiences I ever made. Incredibly loud and as if in slow motion the impact of their performance was mind-blowing. I've read, that the early Sonic Youth used to tour as support for the Swans, but always played after them, which had a frustrating result: the audience was too overwhelmed to register the geniality of Sonic Youth's music.
I'm an American living in Regensburg, Bavaria. Born in Munich I spent my first 10 years in Kirkwood, Mo. 1971 we moved to where I am now. Finished German school in 1981, afterwards studied philosophy and German literature and languages. 1982 I joined the management of the local film club's cinema Filmgalerie, and from 1991-2001 I co-owned an own arthouse cinema STALI (Stadtamhofer Lichtspiele). In between I also was partner of the cinema and music bookstore Angry Red Planet for a few years. In the 80s I co-founded the local industrial band and performance art group Lyssa humana that officially still exists, but currently doesn't perform (last time was for our retrospective exhibition in 2010) at the Kunstverein Graz. I was also member of the shortlived noise rock band Hammersmith. Since 2001 I work for the customer service of a large American online company.