Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about
the creative process and ponders the relationship between cities,
identity and the cinema in the digital age.
A
personal, idiosyncratic and essayistic documentary, made in a eclectic
style using different modes of photography, often reveals more about its
director than its subject; nevertheless, it is an intriguing work.
Halliwell*:
"A quirky examination of the images we create of ourselves and the
people we really are, or may be, in a world of quick change. Yamamoto is
thoughtful but not particularly articulate about his work, other than
when expressing his enjoyment of irresponsibility, which contrasts with
Wenders' fussily pedantic style. The quality of the images is variable,
owing to much of the material being shot with a video camera."
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